Humour and Relevance. (Record no. 107536)
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| 000 -LEADER | |
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| fixed length control field | 08509nam a22004933i 4500 |
| 001 - CONTROL NUMBER | |
| control field | EBC4441474 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | MiAaPQ |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240729130340.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m o d | |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr cnu|||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 240724s2016 xx o ||||0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9789027267214 |
| Qualifying information | (electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9789027202314 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (MiAaPQ)EBC4441474 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (Au-PeEL)EBL4441474 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (CaPaEBR)ebr11171015 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (CaONFJC)MIL904495 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)940958358 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | MiAaPQ |
| Language of cataloging | eng |
| Description conventions | rda |
| -- | pn |
| Transcribing agency | MiAaPQ |
| Modifying agency | MiAaPQ |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | P302.38.Y87 2016 |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 809.700141 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Yus, Francisco. |
| 245 10 - TITLE STATEMENT | |
| Title | Humour and Relevance. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1st ed. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Amsterdam/Philadelphia : |
| Name of producer, publisher, distributor, manufacturer | John Benjamins Publishing Company, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2016. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Date of production, publication, distribution, manufacture, or copyright notice | ©2016. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (389 pages) |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 490 1# - SERIES STATEMENT | |
| Series statement | Topics in Humor Research ; |
| Volume/sequential designation | v.4 |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Intro -- Humour and Relevance -- Editorial page -- Title page -- LCC data -- Dedication page -- Table of Contents -- Acknowledgement -- Introduction -- Relevance theory -- 1.1 Introduction: An inferential model of communication -- 1.2 Gricean pragmatics -- 1.3 Manifestness and cognitive environments -- 1.4 Principles and conditions of relevance -- 1.5 Comprehension -- 1.6 Explicit versus implicated interpretations -- 1.7 Social aspects of communication -- Relevance theory -- 2.1 Introduction: An inferential model of communication -- 2.2 Gricean pragmatics -- 2.3 Manifestness and cognitive environments -- 2.4 Principles and conditions of relevance -- 2.5 Comprehension -- 2.6 Explicit versus implicated interpretations -- 2.7 Social aspects of communication -- Incongruity-resolution revisited -- 3.1 Introduction -- 3.2 Background -- 3.3 Theories and classifications -- 3.3.1 Suls' two-stage model -- 3.3.2 Ritchie's forced reinterpretation model -- 3.3.3 Dynel's three-fold classification -- 3.3.4 Koestler's bisociation theory -- 3.3.5 Giora's graded salience hypothesis -- 3.3.6 Raskin's SSTH and Attardo and Raskin's GTVH -- 3.4 Make-sense frame versus discourse inference -- 3.4.1 Frame -- 3.4.2 Schema -- 3.4.3 Script -- 3.4.4 Make-sense frame -- 3.5 Why is incongruity humorous? -- 3.6 Are incongruity and resolution needed? -- 3.6.1 Incongruity is sufficient -- 3.6.2 Resolution is also necessary -- 3.6.3 Incongruity is solved but persists -- 3.7 Incongruity-resolution and relevance -- 3.8 A new classification of incongruity-resolution patterns -- 3.8.1 [frame-based incongruity] [setup] [discourse-based resolution] -- 3.8.2 [frame-based incongruity] [punchline] [discourse-based resolution] -- 3.8.3 [frame-based incongruity] [setup] [frame-based resolution] -- 3.8.4 [frame-based incongruity] [punchline] [frame-based resolution]. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | 3.8.5 [frame-based incongruity] [setup] [implication-based resolution] -- 3.8.6 [frame-based incongruity] [punchline] [implication-based resolution] -- 3.8.7 [discourse-based incongruity] [setup] [discourse-based resolution] -- 3.8.8 [discourse-based incongruity] [punchline] [discourse-based resolution] -- 3.8.9 [discourse-based incongruity] [setup] [frame-based resolution] -- 3.8.10 [discourse-based incongruity] [punchline] [frame-based resolution] -- 3.8.11 [discourse-based incongruity] [setup] [implication-based resolution] -- 3.8.12 [discourse-based incongruity] [punchline] [implication-based resolution] -- The intersecting circles model of humorous communication -- 4.1 Introduction -- 4.2 Utterance interpretation as mutual parallel adjustment -- 4.3 Make-sense frames and interaction -- 4.4 Cultural frames -- 4.5 Mind reading and predicted humorous effects -- 4.6 Make-sense frames and cultural frames in joke interpretation -- 4.7 Towards a new typology of jokes: The Intersecting Circles Model -- 4.7.1 Type 1: Make-sense frame + cultural frame + utterance interpretation -- 4.7.2 Type 2: Make-sense frame + cultural frame -- 4.7.3 Type 3: Make-sense frame + utterance interpretation -- 4.7.4 Type 4: Make-sense frame -- 4.7.5 Type 5: Cultural frame + utterance interpretation -- 4.7.6 Type 6: Cultural frame -- 4.7.7 Type 7: Utterance interpretation -- 4.7.7.1 Logical form -- 4.7.7.2 Disambiguation -- 4.7.7.3 Conceptual adjustment -- 4.7.7.4 Reference assignment -- 4.7.7.5 Higher-level explicatures -- 4.8 Humorous effects as mutual parallel adjustment -- 4.9 On punning -- Stand-Up Comedy Monologues -- 5.1 Introduction: Can relevance theory study social issues of communication? -- 5.2 Cultural representations -- 5.3 Some useful dichotomies -- 5.3.1 Mental versus public -- 5.3.2 Representations versus beliefs -- 5.3.3 Individual versus mutually manifest. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | 5.3.4 Strengthening versus challenging -- 5.3.5 Personal versus metarepresented cultural -- 5.4 Cultural spread -- 5.4.1 The memetic stance -- 5.4.2 The epidemiological stance -- 5.4.3 Neither duplication nor mutation -- 5.5 Stand-up comedy -- 5.5.1 Expectations -- 5.5.1.1 On the comedian -- 5.5.1.2 On the audience -- 5.5.1.3 On humorous strategies -- 5.5.2 Specific strategies by comedians -- 5.5.2.1 Layering and relating concepts -- 5.5.2.2 Implicatures and the audience's responsibility -- 5.5.2.3 Assumptions from processing previous discourse -- 5.5.2.4 Playing with collective cultural representations -- Humorous ironies -- 6.1 Introduction -- 6.2 Irony, echo and dissociative attitude -- 6.2.1 Dissociative attitude -- 6.2.2 Echo -- 6.3 Contextual inappropriateness -- 6.3.1 Contextual source A: General encyclopaedic knowledge -- 6.3.2 Contextual source B: Specific encyclopaedic knowledge on the speaker -- 6.3.3 Contextual source C: Knowledge, still stored in the hearer's short-term memory, of events or actions which have just taken place or have taken place very recently -- 6.3.4 Contextual source D: Previous utterances in the same conversation or coming from previous conversations -- utterances which were said before (or some time in the past) -- 6.3.5 Contextual source E: Speaker's nonverbal behaviour -- 6.3.6 Contextual source F: Lexical or grammatical choices by the speaker which work as linguistic cues about the speaker's ironic intention -- 6.3.7 Contextual source G: Information coming from the physical area which surrounds the interlocutors during the conversation -- 6.4 Multiple activation and processing effort -- 6.5 Dual stage, direct access, graded salience and relevance -- 6.6 Irony, metarepresentation and epistemic vigilance -- 6.7 Irony and humour -- 6.7.1 Dissociative attitude plus humour -- 6.7.2 Humour-triggering features. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | 6.7.3 Humour in irony as second-order metarepresentation -- Humour and translation -- 7.1 Translation and relevance -- 7.2 A Chart of cases of translatability from combined scenarios -- 7.2.1 First parameter: Cultural scenario -- 7.2.2 Second parameter: Semantic scenario -- 7.2.3 Third parameter: Pragmatic scenario -- 7.3 Examples of translations of jokes -- 7.4 Proposal of a relevance-theoretic 'itinerary' for the translation of jokes -- Multimodal humour -- 8.1 Introduction -- 8.2 Cartoons: Combining text and image -- 8.2.1 Inferring from texts and images in cartoons -- 8.2.2 Visual explicatures and visual implicatures -- 8.2.3 Visual metaphors in cartoons -- 8.3 Inferring from cartoons -- 8.4 Some examples -- Multimodal humour -- 9.1 Introduction: Advertising -- 9.2 Advertising and humour -- 9.3 Relevance, advertising and humour -- 9.3.1 Punning in advertising -- 9.3.2 Social/cultural representations in advertising -- A note on conversational humour -- 10.1 Introduction: Relevance and conversation -- 10.2 Conversation and humour -- 10.3 Relevance, conversation and humour -- References -- Name Index -- Subject Index. |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on publisher supplied metadata and other sources. |
| 590 ## - LOCAL NOTE (RLIN) | |
| Local note | Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Discourse analysis. |
| 655 #4 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Main entry heading | Yus, Francisco |
| Title | Humour and Relevance |
| Place, publisher, and date of publication | Amsterdam/Philadelphia : John Benjamins Publishing Company,c2016 |
| International Standard Book Number | 9789027202314 |
| 797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN) | |
| Corporate name or jurisdiction name as entry element | ProQuest (Firm) |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Topics in Humor Research |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=4441474">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=4441474</a> |
| Public note | Click to View |
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