Industry and Intelligence : (Record no. 105500)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02811nam a22004693i 4500 |
| 001 - CONTROL NUMBER | |
| control field | EBC4389050 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | MiAaPQ |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240729130243.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m o d | |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr cnu|||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 240724s2016 xx o ||||0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9780231540964 |
| Qualifying information | (electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9780231170208 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (MiAaPQ)EBC4389050 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (Au-PeEL)EBL4389050 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (CaPaEBR)ebr11210562 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (CaONFJC)MIL908846 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)945232877 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | MiAaPQ |
| Language of cataloging | eng |
| Description conventions | rda |
| -- | pn |
| Transcribing agency | MiAaPQ |
| Modifying agency | MiAaPQ |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | N6490.G485 2016eb |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 709.04 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Gillick, Liam. |
| 245 10 - TITLE STATEMENT | |
| Title | Industry and Intelligence : |
| Remainder of title | Contemporary Art Since 1820. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1st ed. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | New York : |
| Name of producer, publisher, distributor, manufacturer | Columbia University Press, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2016. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Date of production, publication, distribution, manufacture, or copyright notice | ©2016. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (209 pages) |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 490 1# - SERIES STATEMENT | |
| Series statement | Bampton Lectures in America |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Intro -- Table of Contents -- Acknowledgments -- Introduction: Creative Disruption in the Age of Soft Revolutions -- 1. Contemporary Art Does Not Account for That Which Is Taking Place -- 2. Projection and Parallelism -- 3. Art as a Pile: Split and Fragmented Simultaneously -- 4. 1820: Erasmus and Upheaval -- 5. ASAP Futures, Not Infinite Future -- 6. 1948: B. F. Skinner and Counter-Revolution -- 7. Abstract -- Photo Section -- 8. 1963: Herman Kahn and Projection -- 9. The Complete Curator -- 10. Maybe It Would Be Better If We Worked in Groups of Three? -- 11. The Return of the Border -- 12. 1974: Volvo and the Mise-en-Scène -- 13. The Experimental Factory -- 14. Nostalgia for the Group -- 15. Why Work? -- Notes -- Index. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | The conceptual artist Liam Gillick writes a genealogy of contemporary art, arguing that we need to appreciate its engagement with history. He takes a broad view of artistic creation from 1820 to today, underscoring the industry and intelligence of artists as they have responded to incremental developments in science, politics, and technology. |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on publisher supplied metadata and other sources. |
| 590 ## - LOCAL NOTE (RLIN) | |
| Local note | Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Art, Modern - Themes, motives. |
| 655 #4 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Main entry heading | Gillick, Liam |
| Title | Industry and Intelligence |
| Place, publisher, and date of publication | New York : Columbia University Press,c2016 |
| International Standard Book Number | 9780231170208 |
| 797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN) | |
| Corporate name or jurisdiction name as entry element | ProQuest (Firm) |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Bampton Lectures in America |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=4389050">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=4389050</a> |
| Public note | Click to View |
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