Stage Lighting : (Record no. 103058)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 11032nam a22004813i 4500 |
| 001 - CONTROL NUMBER | |
| control field | EBC4185876 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | MiAaPQ |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240729130133.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m o d | |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr cnu|||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 240724s2015 xx o ||||0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781315662718 |
| Qualifying information | (electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9780205461004 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (MiAaPQ)EBC4185876 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (Au-PeEL)EBL4185876 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (CaPaEBR)ebr11127453 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)932338341 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | MiAaPQ |
| Language of cataloging | eng |
| Description conventions | rda |
| -- | pn |
| Transcribing agency | MiAaPQ |
| Modifying agency | MiAaPQ |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | NK2115.5.L5 |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 729.28 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Dunham, Richard E. |
| 245 10 - TITLE STATEMENT | |
| Title | Stage Lighting : |
| Remainder of title | Fundamentals and Applications. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1st ed. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Old Tappan : |
| Name of producer, publisher, distributor, manufacturer | Taylor & Francis Group, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2015. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Date of production, publication, distribution, manufacture, or copyright notice | ©2005. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (433 pages) |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Cover -- Title Page -- Copyright Page -- Table of Contents -- Preface -- Part One Light: The Medium -- 1 The Nature of Light -- What is Light? -- The Electromagnetic Spectrum -- The Visible Spectrum -- Illuminance and Luminance-Five Metrics -- Luminous Flux -- Illuminance -- Luminous Intensity -- Luminance -- Luminous Exitance -- The Eye and Seeing -- Physiology of the Eye -- The Controllable Qualities of Light -- Intensity -- Distribution -- Color -- Movement -- Sidebar 1.1 Designer Profile: Ken Billington -- Functions of Lighting -- Visibility -- Establishing a Scene -- Modeling -- Mood -- Focus -- Composition -- Style -- Staging the Story -- Rhythm -- For Further Reading -- 2 Light and Perception -- Visibility -- Intensity or Brightness -- Relative Intensity -- Psychological Responses -- Intensity Related Issues -- Mood Alteration -- Overstimulation -- Glare -- Color Perception -- Adaptation -- Defining form and Shape -- Front Light -- Sidelight -- Downlight and Backlight -- Sidebar 2.1 Designer Profile Marilyn Lowey -- Key and Fill -- Silhouettes and Grazing -- Shape -- Composition -- Movement and Light -- Cues and Transitions -- For Further Reading -- 3 Color and Its Effects -- What is Color? -- The Visible Spectrum -- Primary Colors -- CIE Chromaticity Chart -- Color Temperature -- Color Rendering -- Additive and Subtractive Mixing -- Additive Mixing -- Subtractive Mixing -- Filtering Light -- Color Media -- Plastic Media -- Glass Media -- Sidebar 3.1 Spectral Analysis of Gel -- Dichroic Filters -- Diffusion -- Creating Color Through light -- Color Prediction -- Red Shift/Amber Drift -- Complementary Tint System -- Psychological Effects of Color -- Color Contrast -- Adaptation and Afterimages -- Practical Use of Color -- Sidebar 3.2 Designer Considerations for Color and Light -- Sidebar 3.3 Designer Profile Mark Stanley. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | For Further Reading -- Part Two Light: The Tools -- 4 The Practitioners -- Theatrical and Live Performance Production -- Design Professionals -- Sidebar 4.1 Designer Profile John Martin -- Theatrical Crews -- Film and Video -- Design Professionals -- Production Crews -- Architectural Lighting -- Unions and Certifications -- Professional Organizations and Societies -- For Further Reading -- 5 Electricity -- Basics of Electricity -- Atomic Theory -- Electrical Potential -- Grounding -- Fundamental Circuits -- Conductors and Insulators -- Series Circuits -- Parallel Circuits -- Units of Measurement and Essential Formulas -- Units of Measure -- Power Formula and Ohm's Law -- Sidebar 5.1 Determination of Lamp Load -- Direct Current Versus Alternating Current -- Direct Current (DC) -- AC Power Generation -- Transformers -- Power Distribution -- Electrical Services -- Electrical Hardware -- Wire -- Cables -- Circuit Protection -- Switches -- Dimmers -- Company Switches and Distribution Panels -- Commercial Distribution -- Theatrical Distribution -- Sidebar 5.2 Electrical Safety -- For Further Reading -- 6 Lamps and Other Light Sources -- Lumens and Lamp Life -- Lamps and Color -- Incandescent Lamps -- Filaments -- Bulbs -- Bases -- Tungsten-Halogen or Quartz Lamps -- Sidebar 6.1 Light Center Length (LCL) -- Arc Light Sources -- Limelight -- Carbon-Arc -- Short-Arc and High-Intensity Discharge (Hid) Lamps -- Short-Arc Lamps -- High-Intensity Discharge (HID) Lamps -- Gaseous Discharge Lamps -- Fluorescent Lamps -- Low-Voltage Lamps -- Ansi Codes -- Leds -- Lasers -- For Further Reading -- 7 Luminaire Fundamentals -- Basic Principles of Optics -- Reflection -- Transmission -- Refraction -- An Essential Luminaire -- Photometics -- Sidebar 7.1 Luminaire Maintenance -- Beam Angle and Field Angle -- Photometric Data and Cut Sheets -- Choosing Luminaires. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Entertainment Luminaires -- Spotlights -- Followspots -- Sidebar 7.2 Followspot Pickup Techniques -- Floodlights -- Optical Accessories -- Hanging Accessories -- Practicals -- For Further Reading -- 8 Control Fundamentals -- Brightness Control and Dimming -- Circuiting -- Mastering -- Mechanical Mastering -- Electrical Mastering -- Electronic Mastering -- Principles of Electronic Dimming -- Gating -- Sidebar 8.1: Dimmer Curves and Trimming -- New Trends in Electronic Dimming (Sine Wave Dimming) -- Control Protocols -- Analog Control -- Digital Control -- Lighting Control Consoles -- Preset Control -- Sidebar 8.2: Common Control Functions of Preset Consoles -- Sidebar 8.3: Rock and Roll Console Features -- Memory Control -- Sidebar 8.4: Additional Controls in Computer Consoles -- Automated Control Consoles -- Show Control -- State of the Art Control -- Dimmer-per-Circuit -- Multiplexing (Dimmer DoublingTM) -- Distributed Dimming -- Wireless Dimming -- For Further Reading -- 9 Advanced Equipment and Personal Computers in Lighting -- Primary Control of Advanced Gear -- DMX Control -- Sidebar 9.1: Binary Code and Addressing -- Sidebar 9.2: Eleven Practical Tips for Setting up DMX Networks -- Sidebar 9.3: Several Programming Tips for Working with Automated Lighting Gear -- Sophisticated Control of Advanced Gear -- Accessories for Conventional Luminaires -- Scrollers -- Moving Yokes -- Moving Mirror Accessories -- Gobo Rotators -- Automated Lighting -- Sidebar 9.4: Common Automated Lighting Effect Cues -- Moving Heads (Moving Yokes) -- Scanners (Moving Mirrors) -- Non-Traditional Sources -- Ballasted Fixtures -- Strobes -- Fiber Optics -- LEDs -- Lasers -- The Personal Computer -- CAD and Drafting Applications -- Design Paperwork -- Control and Off-line Editing -- Communication and Training -- Design Analysis -- Visualization -- For Further Reading. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Part Three Light: Design Fundamentals -- 10 Essentials of Lighting Design -- Special Considerations in Lighting Design -- Directors and Collaboration -- The Influences of Light -- Controllable Quantities of Light -- Functions of Lighting -- Analysis for Lighting -- Script Analysis and Entertainment Designs -- Sidebar 10.1: Designer Profile: Brian MacDevitt -- Sidebar 10.2: Scenic Breakdown of Arthur Miller's The Crucible -- Style in Lighting -- Conceptualization -- Additional Preparation -- Design Research -- Design and Production Meetings -- Rehearsals -- Developing Lighting Schemes and Concepts -- Lighting Keys -- Communicating Design Ideas -- Storyboards -- Lighting Scores -- Light Labs -- Computer Visualization -- For Further Reading -- 11 Basics of General Illumination -- Lighting the Subject -- Typical Theatrical Lighting Positions -- Proscenium Theatre -- Sidebar 11.1: Hanging Positions and Lighting Distribution -- Black Box Theatre -- Variations -- Floorplans and Sections -- Basics of General Illumination or Area Lighting -- Primary Formula Approaches for Area Lighting -- Single Source System -- Wash System -- The McCandless System -- Double or Triple Hanging -- Area versus Color Control -- Alternative Systems for Area Lighting -- Key and Fill -- The Washed Stage -- Zone Lighting -- Jewel Lighting -- Building on General Lighting -- Special Areas -- Sculpting and Modeling Accents -- Blending and Toning Accents -- Sidebar 11.2: Focus Patterns for Common Wash Systems -- Motivational Accents -- Additional Lighting Demands -- Special Visibility -- Lighting Costumes -- Lighting for Scenery -- Effects Lighting -- Sidebar 11.3: Designer Profile Jeff Davis -- For Further Reading -- 12 Plotting the Design -- Translating Concepts and Lighting Keys Into Practical Design Choices -- Working with Floorplans and Sections -- Floorplans or Groundplans. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Sections -- An Approach to Plotting a Design -- Preliminary Tasks/Preparation -- Rehearsals -- The Wish List -- Making a Design Practical -- The Tentative Hookup -- The Rough Light Plot -- Drafting and the Lighting Design -- Drafting Light Plots -- Sidebar 12.1: Common Numbering Practices -- Drafting the Section -- Lighting Schedules and Design Paperwork -- Hookup -- Instrument Schedule -- Magic Sheets -- Shop Orders -- Cad Drafting and Lighting Design -- For Further Reading -- 13 Moving into the Venue -- Final Preparations for the Load-In -- The Cue Synopsis -- The Load-In -- Sidebar 13.1: A Typical Load-in Schedule -- The Focus Call -- The Level Setting or Cue Writing Session -- Cueing Aids for Memory Consoles -- Rehearsals in the Venue -- Technical Rehearsals -- Sidebar 13.2: Cueing Aids -- Dress Rehearsals, Previews, and Openings -- Running and Maintaining the Production -- Sidebar 13.3: Designer Profile Beverly Emmons -- For Further Reading -- 14 Variations on Essential Theatrical Design -- Thrust and Arena Productions -- Thrust Productions -- Arena Productions -- Outdoor Dramas and Festival Productions -- Transfer Productions -- Touring Productions -- Repertory Productions -- Designing for Specific Genre -- Sidebar 14.1: Designer Profile F. Mitchell Dana -- For Further Reading -- Part Four Light: Design Applications -- 15 Traditional Areas of Theatrical Design (Drama, Dance, Opera, and Musical Theatre) -- Lighting for Drama -- Performance Considerations -- Design Techniques -- Dance Lighting -- Performance Considerations -- Design Techniques -- Sidebar 15.1: Designer Profile Jennifer Tipton -- Opera and Operetta Lighting -- Performance Considerations -- Design Techniques -- Lighting Musical Theatre -- Performance Considerations -- Design Techniques -- Sidebar 15.2: Common Musical Theatre Cueing Terminology -- For Further Reading. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | 16 Non-Traditional Entertainment Design. |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on publisher supplied metadata and other sources. |
| 590 ## - LOCAL NOTE (RLIN) | |
| Local note | Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Stage lighting. |
| 655 #4 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Main entry heading | Dunham, Richard E. |
| Title | Stage Lighting |
| Place, publisher, and date of publication | Old Tappan : Taylor & Francis Group,c2015 |
| International Standard Book Number | 9780205461004 |
| 797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN) | |
| Corporate name or jurisdiction name as entry element | ProQuest (Firm) |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=4185876">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=4185876</a> |
| Public note | Click to View |
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