Collecting As Modernist Practice.
Braddock, Jeremy.
Collecting As Modernist Practice. - 1st ed. - 1 online resource (334 pages) - Hopkins Studies in Modernism Series . - Hopkins Studies in Modernism Series .
Cover -- Contents -- Acknowledgments -- Introduction: Collections Mediation Modernism -- 1 After Imagisme -- The Lyric Year and the Crisis in Cultural Valuation -- The Anthology as Weapon -- The Others Formation -- Reprisal Anthologies -- 2 The Domestication of Modernism: The Phillips Memorial Gallery in the 1920s -- Pictorial Publicity -- Subconscious Stimulation, a Professional Public Sphere -- Problems in Collecting Pictures -- Akhenaten, Patron of Modernism -- 3 The Barnes Foundation, Institution of the New Psychologies -- Against Dilettantism -- A System for the New Spirit -- Collection and Institution -- The Art of Memory in the Age of the Unconscious -- 4 The New Negro in the Field of Collections -- Sage Homme Noir -- Precursor Anthologies -- Coterie, Movement, Race -- The Heritage of The New Negro -- Downstairs from the Harlem Museum -- 5 Modernism's Archives: Afterlives of the Modernist Collection -- Two Termini -- Two Consecrations -- Two Archives -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.
Offering the most systematic review to date of the Barnes Foundation, an intellectual genealogy and analysis of The New Negro anthology, and studies of a wide range of hitherto ignored anthologies and archives, Braddock convincingly shows how artistic and literary collections helped define the modernist movement in the United States.
9781421406640
Modernism (Literature).
Collectors and collecting.
Anthologies-History and criticism.
Electronic books.
PN56.M54 B746 2012
069/.409
Collecting As Modernist Practice. - 1st ed. - 1 online resource (334 pages) - Hopkins Studies in Modernism Series . - Hopkins Studies in Modernism Series .
Cover -- Contents -- Acknowledgments -- Introduction: Collections Mediation Modernism -- 1 After Imagisme -- The Lyric Year and the Crisis in Cultural Valuation -- The Anthology as Weapon -- The Others Formation -- Reprisal Anthologies -- 2 The Domestication of Modernism: The Phillips Memorial Gallery in the 1920s -- Pictorial Publicity -- Subconscious Stimulation, a Professional Public Sphere -- Problems in Collecting Pictures -- Akhenaten, Patron of Modernism -- 3 The Barnes Foundation, Institution of the New Psychologies -- Against Dilettantism -- A System for the New Spirit -- Collection and Institution -- The Art of Memory in the Age of the Unconscious -- 4 The New Negro in the Field of Collections -- Sage Homme Noir -- Precursor Anthologies -- Coterie, Movement, Race -- The Heritage of The New Negro -- Downstairs from the Harlem Museum -- 5 Modernism's Archives: Afterlives of the Modernist Collection -- Two Termini -- Two Consecrations -- Two Archives -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.
Offering the most systematic review to date of the Barnes Foundation, an intellectual genealogy and analysis of The New Negro anthology, and studies of a wide range of hitherto ignored anthologies and archives, Braddock convincingly shows how artistic and literary collections helped define the modernist movement in the United States.
9781421406640
Modernism (Literature).
Collectors and collecting.
Anthologies-History and criticism.
Electronic books.
PN56.M54 B746 2012
069/.409