Creating Place in Early Modern European Architecture.
Merrill, Elizabeth.
Creating Place in Early Modern European Architecture. - 1st ed. - 1 online resource (380 pages) - Visual and Material Culture, 1300-1700 Series ; v.32 . - Visual and Material Culture, 1300-1700 Series .
Cover -- Table of Contents -- Abbreviations -- Introduction: Embracing Specificity, Embracing Place -- Elizabeth Merrill -- 1. Architecture on Paper: The Development and Function of Architectural Drawings in the Renaissance -- Wolfgang Lefèvre -- Part I: Marking Place -- 2. The Santacroce Houses along the Via in Publicolis in Rome: Law, Place and Residential Architecture in the Early Modern Period -- Nele De Raedt -- 3. Towards a New Architecture of Cosmic Experience -- Noam Andrews -- 4. Architecture for Music: Sonorous Spaces in Sacred Buildings in Renaissance and Baroque Rome -- Federico Bellini -- Part II: Teaching Place -- 5. The Spedale di Santa Maria della Scala and the Construction of Siena -- Elizabeth Merrill -- 6. Places of Knowledge between Ulm and the Netherlands in the Seventeenth Century: The Kunstkammer of Johannes Faulhaber* -- Paul Brakmann and Sebastian Fitzner -- 7. Nicola Zabaglia's Scaffoldings for the Maintenance of Architectural Space in St. Peter's Basilica and throughout Europe in the Seventeenth to Nineteenth Centuries -- Stefan M. Holzer and Nicoletta Marconi -- Part III: Excavating Place -- 8. Building on 'Hollow Land': Skill and Expertise in Foundation-Laying Practices in the Low Countries in the Fifteenth to the Seventeenth Centuries -- Merlijn Hurx -- 9. The 'Conquest' and Construction of an Urban Place: The Insula dei Gesuiti in Venice in the Early Modern Period -- Ludovica Galeazzo -- 10. Exploring the Book of Fortresses -- Edward Triplett -- Index -- List of Illustrations -- Fig. 1.1 Full-scale architectural tracing on a wall (Ritzzeichnung), c. 1260. Cathedral of Notre-Dame at Clermont-Ferrand. © Robert Berger, Clermont-Ferrand. Fig. 1.2 Architectural elevation of Freiburg Münster Cathedral. Pen and ink on vellum, c. 1250. Akademie der bildenden Künste Wien, Object Nr. 16.869. From Böker, Architektur der Gotik, 166 -- Fig. 1.3 Francesco di Giorgio Martini (attributed), architectural veduta of an ideal city. Oil on panel, c. 1490. Staatliche Museen zu Berlin, Object Nr. 1615. © Photo: Gemäldegalerie der Staatlichen Museen zu Berlin - Preußischer Kulturbesitz -- photograph -- Fig. 1.4 Hartmann Schedel, chorographic urban view. Liber chronicarum, Nuremberg, 1493, fol. LXI. Cambridge University Library, Classmark Inc.0.A.7.2[888] -- Fig. 1.5 Antoine Caron, depiction of ancient monuments. Histoire de la Reine Arthémise. Pen and brown ink, wash heightened with white on black chalk, c. 1562. Bibliothèque nationale de France, ark:/12148/btv1b6901591q, fol. 43r -- Fig. 1.6 Landgrave Moritz of Hessen, design for a castle bastion. Pen and ink, 1624. MLUB, 2° Ms. Hass., fol. 107 [278]r. Courtesy of the Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek -- Fig. 1.7 Bernardo della Volpaia (attributed), section in perspective of San Pietro in Montorio. Pen and ink, c. 1520. Sir John Soane's Museum, Codex Coner, fol. 34r. © Sir John Soane's Museum, London -- Fig. 1.8 Technical diagrams for vaulting a) Jacob Fracht von Andernach, combined ground plan and elevation projection. Pen and ink on paper, late sixteenth century. Archiv der Stadt Köln, Ms. W° 276, fol. 29v. From Müller, Grundlagen gotischer Bautechnik -- b) Alonso de Vandelvira, combined ground plan and elevation. Libro de cortes de cantería. Pen and ink on paper, c. 1580. Bibl. Nacional de Madrid, Ms. 12.719 -- Fig. 1.9 Albrecht Dürer, combined orthogonal projections. Hierin sind begriffen vier Bücher von menschlicher Proportion, 1528, fol. E2v. Beinecke Library, Object Nr. 10613881. Fig. 1.10 Hans Müller, bathhouse at Ems, presented in combined orthogonal projections: elevation, section and floor plan, 1580. MLUB, 2° Ms. Hass. 107 [96]. Courtesy of the Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek -- Fig. 1.11 Michelangelo, study for the vestibule of the Laurentian Library. Black chalk, pen and red chalk on paper, c. 1525. Casa Buonarroti, Florence, inv. 92 Ar. © bpk / Scala (70206536) -- Fig. 1.12 Heinrich Höer, isometric projections of the Schloss Ottweiler. Pen and ink on paper, c. 1614/1617. Abt. 3011/1/3715 H, Hessisches Hauptstaatsarchiv Wiesbaden. From Fitzner, Architekturzeichnungen der deutschen Renaissance, 188 -- Fig. 1.13 Albrecht Altdorfer, design for a portal. (c) Wikiart -- Fig. 1.14 Giuliano da Sangallo, the Basilica Emilia in Rome. Pen and ink on parchment, c. 1480. Biblioteca Apostolica Vaticana, Codex Vat. Barb. Lat. 4424. By concession of the Biblioteca Apostolica Vaticana, all rights reserved -- Fig. 1.15 Cesare Cesariano, proportions of Roman architectural members. Vitruuio Pollione De architectura libri decem, 1521, fol. 60r. © Werner Oechslin Library Foundation -- Fig. 1.16 Sebastiano Serlio, architectural patterns. Primo libro d' architettura, 1559, c. 20. Courtesy of the Max Planck Institute for the History of Science, Berlin -- Fig. 1.17 Andrea Palladio's Villa Rotonda. Engraving by Bernard Picart in Giacomo Leoni, The Architecture of A. Palladio -- in Four Books, vol. II., London 1775, Table XV. The Metropolitan Museum of Art, Accession Number: 41.100.169(1.2.15). Bequest of W. G -- Fig. 2.1 Antonio Tempesta, plan of the city of Rome showing the Palazzo a Punta di Diamante along the Via Mercatoria. Rome: Giovanni Domenico de Rossi, 1645. The Metropolitan Museum of Art, Accession Number: 1983.1027(1-12). Edward Pearce Casey Fund, 1983 -- a. Santa Maria in Publicolis. b. Residence bought by the Santacroce brothers in 1439 -- c. Home of Prospero Santacroce -- d. Palazzo a Punta di Diamante -- e. Via Mercatoria -- f. Via in Publicolis -- Fig. 2.2 The Palazzo a Punta di Diamante along the Via Mercatoria. © Photo: Nele De Raedt, 2018 -- Fig. 2.3 The fasces et secures consulares, as illustrated by Jacopo Mazocchi. Epigrammata antiquae Urbis, Rome, 1521, fol. CXXI. Courtesy of the Österreichisches Nationalbibliothek -- Fig. 2.4 Prospero Santacroce's house on the Piazza Costaguti. © Photo: Nele De Raedt, 2018 -- Fig. 2.5 The loggia of Prospero Santacroce's house on the Piazza Costaguti. © Photo: Nele De Raedt, 2018 -- Fig. 2.6 Fragment of the Catasto Urbano showing Santacroce properties along the Via in Publicolis and Piazza Costaguti. Archivio di Stato di Roma, presidenza generale del censo, Catasto Urbano di Roma, Piante, Rione XI, I. Courtesy of il Ministero per i B -- Fig. 2.7 Reconstruction of original Palazzo a Punta di Diamante. From Tomei, L'architettura a Roma nel Quattrocento, pl. 168 -- Fig. 2.8 Reconstruction of façade along the Via in Publicolis. From Tomei, L'architettura a Roma nel Quattrocento, pl. 170 -- Fig. 2.9 Reconstruction of façade along Via Mercatoria. From Tomei, L'architettura a Roma nel Quattrocento, pl. 169 -- Fig. 2.10 Antonio Tempesta, plan of the city of Rome showing the Piazza Branca and Platea S. Crucis. Rome: Giovanni Domenico de Rossi, 1645. The Metropolitan Museum of Art, Accession Number: 1983.1027(1-12). Edward Pearce Casey Fund, 1983 -- Fig. 3.1 Hartmann Schedel, depiction of the Ensisheim meteorite fall. Liber Chronicarum, Nuremberg, 1493, fol. 257r. Courtesy of the Klassik Stiftung Weimar -- Fig. 3.2 Albrecht Dürer, verso of Saint Jerome. Oil on panel, c. 1494. The National Gallery, Object Nr. NG6563.D1. © The National Gallery, London. Fig. 3.3(a-b) Hartmann Schedel, the first and third days of creation. Liber Chronicarum, Nuremberg, 1493, fol. 2v and fol. 3v. Courtesy of the Klassik Stiftung Weimar -- Fig. 3.4 Charles de Bovelles, God's creation of the world. Que hoc volumine continentur Liber de Intellectu, Liber de […] sensu. Liber de nichilo, Paris, 1510, fol. 63r. Tolosana, Bibliothèque universitaire de l'Arsenal, Resp. 4842-2 -- Fig. 3.5 John Shute, Corynthia. The First and Chief Groundes of Architecture, London, 1563. Royal Institute of British Architects, Object Nr. EW E.f526. © Royal Institute of British Architects -- Fig. 3.6 God as Architect. Frontispiece of Bible moralisée. Ink, tempera, and gold leaf on vellum, c. 1220-1230. Österreichisches Nationalbibliothek, Codex Vindobonensis 2554, fol.1v -- Fig. 3.7 Cesare Cesariano, declination of celestial bodies/perspectival construction. Vitruuio Pollione De architectura libri decem, 1521, fol. 11v. Max Planck Institute, Object Nr.: Gf 200-120 gr. raro. Courtesy of the Bibliotheca Hertziana - Max Planck -- Fig. 3.8 Albrecht Dürer, Martyrdom of St. Catherine (1492). The Metropolitan Museum of Art, Accession Number: 1975.653.99. The George Khuner Collection, Gift of Mrs. George Khuner, 1975 -- Fig. 4.1 Marktkirche, Halle, following the Lutheran renovations of 1542 -- a) Plan: (in red) the transverse Querkirche focused on the pulpit of the prayer -- (in blue) the longitudinal axis aligned with the chancel area -- (in yellow) the longitudinal axis dedicated to Eucharist and Baptism. © Federico Bellini -- Fig. 4.1 Marktkirche, Halle, following the Lutheran renovations of 1542 -- b) Nave: looking toward the altar. © Photo: Wikipedia -- Fig. 4.2 Westerkerk, Amsterdam, designed by Hendrick Cornelisz de Keyser the Elder, 1620-1631 -- a) Sound plan: (in red) the axis of spoken Word. (in blue) the axis of the music and sung. © Federico Bellini.
9789048550814
Architecture-Europe-History.
Electronic books.
NA950 .C743 2022
Creating Place in Early Modern European Architecture. - 1st ed. - 1 online resource (380 pages) - Visual and Material Culture, 1300-1700 Series ; v.32 . - Visual and Material Culture, 1300-1700 Series .
Cover -- Table of Contents -- Abbreviations -- Introduction: Embracing Specificity, Embracing Place -- Elizabeth Merrill -- 1. Architecture on Paper: The Development and Function of Architectural Drawings in the Renaissance -- Wolfgang Lefèvre -- Part I: Marking Place -- 2. The Santacroce Houses along the Via in Publicolis in Rome: Law, Place and Residential Architecture in the Early Modern Period -- Nele De Raedt -- 3. Towards a New Architecture of Cosmic Experience -- Noam Andrews -- 4. Architecture for Music: Sonorous Spaces in Sacred Buildings in Renaissance and Baroque Rome -- Federico Bellini -- Part II: Teaching Place -- 5. The Spedale di Santa Maria della Scala and the Construction of Siena -- Elizabeth Merrill -- 6. Places of Knowledge between Ulm and the Netherlands in the Seventeenth Century: The Kunstkammer of Johannes Faulhaber* -- Paul Brakmann and Sebastian Fitzner -- 7. Nicola Zabaglia's Scaffoldings for the Maintenance of Architectural Space in St. Peter's Basilica and throughout Europe in the Seventeenth to Nineteenth Centuries -- Stefan M. Holzer and Nicoletta Marconi -- Part III: Excavating Place -- 8. Building on 'Hollow Land': Skill and Expertise in Foundation-Laying Practices in the Low Countries in the Fifteenth to the Seventeenth Centuries -- Merlijn Hurx -- 9. The 'Conquest' and Construction of an Urban Place: The Insula dei Gesuiti in Venice in the Early Modern Period -- Ludovica Galeazzo -- 10. Exploring the Book of Fortresses -- Edward Triplett -- Index -- List of Illustrations -- Fig. 1.1 Full-scale architectural tracing on a wall (Ritzzeichnung), c. 1260. Cathedral of Notre-Dame at Clermont-Ferrand. © Robert Berger, Clermont-Ferrand. Fig. 1.2 Architectural elevation of Freiburg Münster Cathedral. Pen and ink on vellum, c. 1250. Akademie der bildenden Künste Wien, Object Nr. 16.869. From Böker, Architektur der Gotik, 166 -- Fig. 1.3 Francesco di Giorgio Martini (attributed), architectural veduta of an ideal city. Oil on panel, c. 1490. Staatliche Museen zu Berlin, Object Nr. 1615. © Photo: Gemäldegalerie der Staatlichen Museen zu Berlin - Preußischer Kulturbesitz -- photograph -- Fig. 1.4 Hartmann Schedel, chorographic urban view. Liber chronicarum, Nuremberg, 1493, fol. LXI. Cambridge University Library, Classmark Inc.0.A.7.2[888] -- Fig. 1.5 Antoine Caron, depiction of ancient monuments. Histoire de la Reine Arthémise. Pen and brown ink, wash heightened with white on black chalk, c. 1562. Bibliothèque nationale de France, ark:/12148/btv1b6901591q, fol. 43r -- Fig. 1.6 Landgrave Moritz of Hessen, design for a castle bastion. Pen and ink, 1624. MLUB, 2° Ms. Hass., fol. 107 [278]r. Courtesy of the Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek -- Fig. 1.7 Bernardo della Volpaia (attributed), section in perspective of San Pietro in Montorio. Pen and ink, c. 1520. Sir John Soane's Museum, Codex Coner, fol. 34r. © Sir John Soane's Museum, London -- Fig. 1.8 Technical diagrams for vaulting a) Jacob Fracht von Andernach, combined ground plan and elevation projection. Pen and ink on paper, late sixteenth century. Archiv der Stadt Köln, Ms. W° 276, fol. 29v. From Müller, Grundlagen gotischer Bautechnik -- b) Alonso de Vandelvira, combined ground plan and elevation. Libro de cortes de cantería. Pen and ink on paper, c. 1580. Bibl. Nacional de Madrid, Ms. 12.719 -- Fig. 1.9 Albrecht Dürer, combined orthogonal projections. Hierin sind begriffen vier Bücher von menschlicher Proportion, 1528, fol. E2v. Beinecke Library, Object Nr. 10613881. Fig. 1.10 Hans Müller, bathhouse at Ems, presented in combined orthogonal projections: elevation, section and floor plan, 1580. MLUB, 2° Ms. Hass. 107 [96]. Courtesy of the Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek -- Fig. 1.11 Michelangelo, study for the vestibule of the Laurentian Library. Black chalk, pen and red chalk on paper, c. 1525. Casa Buonarroti, Florence, inv. 92 Ar. © bpk / Scala (70206536) -- Fig. 1.12 Heinrich Höer, isometric projections of the Schloss Ottweiler. Pen and ink on paper, c. 1614/1617. Abt. 3011/1/3715 H, Hessisches Hauptstaatsarchiv Wiesbaden. From Fitzner, Architekturzeichnungen der deutschen Renaissance, 188 -- Fig. 1.13 Albrecht Altdorfer, design for a portal. (c) Wikiart -- Fig. 1.14 Giuliano da Sangallo, the Basilica Emilia in Rome. Pen and ink on parchment, c. 1480. Biblioteca Apostolica Vaticana, Codex Vat. Barb. Lat. 4424. By concession of the Biblioteca Apostolica Vaticana, all rights reserved -- Fig. 1.15 Cesare Cesariano, proportions of Roman architectural members. Vitruuio Pollione De architectura libri decem, 1521, fol. 60r. © Werner Oechslin Library Foundation -- Fig. 1.16 Sebastiano Serlio, architectural patterns. Primo libro d' architettura, 1559, c. 20. Courtesy of the Max Planck Institute for the History of Science, Berlin -- Fig. 1.17 Andrea Palladio's Villa Rotonda. Engraving by Bernard Picart in Giacomo Leoni, The Architecture of A. Palladio -- in Four Books, vol. II., London 1775, Table XV. The Metropolitan Museum of Art, Accession Number: 41.100.169(1.2.15). Bequest of W. G -- Fig. 2.1 Antonio Tempesta, plan of the city of Rome showing the Palazzo a Punta di Diamante along the Via Mercatoria. Rome: Giovanni Domenico de Rossi, 1645. The Metropolitan Museum of Art, Accession Number: 1983.1027(1-12). Edward Pearce Casey Fund, 1983 -- a. Santa Maria in Publicolis. b. Residence bought by the Santacroce brothers in 1439 -- c. Home of Prospero Santacroce -- d. Palazzo a Punta di Diamante -- e. Via Mercatoria -- f. Via in Publicolis -- Fig. 2.2 The Palazzo a Punta di Diamante along the Via Mercatoria. © Photo: Nele De Raedt, 2018 -- Fig. 2.3 The fasces et secures consulares, as illustrated by Jacopo Mazocchi. Epigrammata antiquae Urbis, Rome, 1521, fol. CXXI. Courtesy of the Österreichisches Nationalbibliothek -- Fig. 2.4 Prospero Santacroce's house on the Piazza Costaguti. © Photo: Nele De Raedt, 2018 -- Fig. 2.5 The loggia of Prospero Santacroce's house on the Piazza Costaguti. © Photo: Nele De Raedt, 2018 -- Fig. 2.6 Fragment of the Catasto Urbano showing Santacroce properties along the Via in Publicolis and Piazza Costaguti. Archivio di Stato di Roma, presidenza generale del censo, Catasto Urbano di Roma, Piante, Rione XI, I. Courtesy of il Ministero per i B -- Fig. 2.7 Reconstruction of original Palazzo a Punta di Diamante. From Tomei, L'architettura a Roma nel Quattrocento, pl. 168 -- Fig. 2.8 Reconstruction of façade along the Via in Publicolis. From Tomei, L'architettura a Roma nel Quattrocento, pl. 170 -- Fig. 2.9 Reconstruction of façade along Via Mercatoria. From Tomei, L'architettura a Roma nel Quattrocento, pl. 169 -- Fig. 2.10 Antonio Tempesta, plan of the city of Rome showing the Piazza Branca and Platea S. Crucis. Rome: Giovanni Domenico de Rossi, 1645. The Metropolitan Museum of Art, Accession Number: 1983.1027(1-12). Edward Pearce Casey Fund, 1983 -- Fig. 3.1 Hartmann Schedel, depiction of the Ensisheim meteorite fall. Liber Chronicarum, Nuremberg, 1493, fol. 257r. Courtesy of the Klassik Stiftung Weimar -- Fig. 3.2 Albrecht Dürer, verso of Saint Jerome. Oil on panel, c. 1494. The National Gallery, Object Nr. NG6563.D1. © The National Gallery, London. Fig. 3.3(a-b) Hartmann Schedel, the first and third days of creation. Liber Chronicarum, Nuremberg, 1493, fol. 2v and fol. 3v. Courtesy of the Klassik Stiftung Weimar -- Fig. 3.4 Charles de Bovelles, God's creation of the world. Que hoc volumine continentur Liber de Intellectu, Liber de […] sensu. Liber de nichilo, Paris, 1510, fol. 63r. Tolosana, Bibliothèque universitaire de l'Arsenal, Resp. 4842-2 -- Fig. 3.5 John Shute, Corynthia. The First and Chief Groundes of Architecture, London, 1563. Royal Institute of British Architects, Object Nr. EW E.f526. © Royal Institute of British Architects -- Fig. 3.6 God as Architect. Frontispiece of Bible moralisée. Ink, tempera, and gold leaf on vellum, c. 1220-1230. Österreichisches Nationalbibliothek, Codex Vindobonensis 2554, fol.1v -- Fig. 3.7 Cesare Cesariano, declination of celestial bodies/perspectival construction. Vitruuio Pollione De architectura libri decem, 1521, fol. 11v. Max Planck Institute, Object Nr.: Gf 200-120 gr. raro. Courtesy of the Bibliotheca Hertziana - Max Planck -- Fig. 3.8 Albrecht Dürer, Martyrdom of St. Catherine (1492). The Metropolitan Museum of Art, Accession Number: 1975.653.99. The George Khuner Collection, Gift of Mrs. George Khuner, 1975 -- Fig. 4.1 Marktkirche, Halle, following the Lutheran renovations of 1542 -- a) Plan: (in red) the transverse Querkirche focused on the pulpit of the prayer -- (in blue) the longitudinal axis aligned with the chancel area -- (in yellow) the longitudinal axis dedicated to Eucharist and Baptism. © Federico Bellini -- Fig. 4.1 Marktkirche, Halle, following the Lutheran renovations of 1542 -- b) Nave: looking toward the altar. © Photo: Wikipedia -- Fig. 4.2 Westerkerk, Amsterdam, designed by Hendrick Cornelisz de Keyser the Elder, 1620-1631 -- a) Sound plan: (in red) the axis of spoken Word. (in blue) the axis of the music and sung. © Federico Bellini.
9789048550814
Architecture-Europe-History.
Electronic books.
NA950 .C743 2022