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Curiosity and the Aesthetics of Travel-Writing, 1770-1840 : 'from an Antique Land'.

By: Material type: TextTextPublisher: Oxford : Oxford University Press, Incorporated, 2002Copyright date: ©2002Edition: 1st edDescription: 1 online resource (348 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780191554391
Subject(s): Genre/Form: Additional physical formats: Print version:: Curiosity and the Aesthetics of Travel-Writing, 1770-1840DDC classification:
  • 820.9/355
LOC classification:
  • PR756.T72 L43 2002
Online resources:
Contents:
Intro -- Title Page -- Acknowledgements -- Contents -- Illustrations -- Introduction: Practices and Narratives of Romantic Travel -- 1. Cycles of Accumulation, Aesthetics of Curiosity, and Temporal Exchange -- Curiosity and the Aesthetics of Discourse -- Temporalization and the Comparison of Cultures -- 2. Curious Narrative and the Problem of Credit: James Bruce's Travels to Discover the Source of the Nile -- Curiosity and the Dynamics of Scale -- Publication -- Scientific Credit -- At the Nile Source -- The Medici Venus and 'Curious' Masculinity -- The Raw and the Cooked -- Coda -- 3. 'Young Memnon' and Romantic Egyptomania -- Part 1: Shelley's 'Ozymandias' and Napoleon's Savants -- Shelley and the Savants: Volney, Denon, and the Description de l'Egypte -- Part 2: Belzoni, Burckhardt, and the 'Rape of the Nile' -- 4. Indian Travel Writing and the Imperial Picturesque -- Modalities of Indian Travel Writing -- The Picturesque Modality -- The Peer and the 'Bishop Sahib': The Indian Travel Narratives of Lord Valentia and Reginald Heber -- Reginald Heber's Narrative of a Journey Through the Upper Provinces of India -- The Radical Anti-Picturesque: James Mill and Victor Jacquemont -- 5. Domesticating Distance: Three Women Travel Writers in British India -- Maria Graham: The Oriental Traveller as Female Moralist -- Emma Roberts, Oriental Tourism, and the 'Moonlight Picturesque' -- 'A Pencil instead of a Gun': Fanny Parks and Curiosity -- Colonial Politics and Feminism -- Curiosity, Collecting, Narrating -- 6. Alexander von Humboldt and the Romantic Imagination of America: The Impossibility of Personal Narrative -- The Physical Portrait of the Tropics and Aspects of Nature -- Humboldt and the Dispute of the New World -- The Political Essay on New Spain -- Conclusion: William Bullock's Mexico and the Reassertion of 'Popular Curiosity' -- Bibliography.
Index.
Summary: The first book of its kind to study the Romantic obsession with the 'antique lands' of Ethiopia, Egypt, India, and Mexico, Curiosity and the Aesthetics of Travel Writing is an important contribution to the recent wave of interest in exotic travel writing. Drawing generously on both original texts and modern scholarship in literature, history, geography, and anthropology, it focuses on the unstable discourse of 'curiosity' to offer an important reformulation of the relations between literature, aesthetics, and colonialism in the period.
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Intro -- Title Page -- Acknowledgements -- Contents -- Illustrations -- Introduction: Practices and Narratives of Romantic Travel -- 1. Cycles of Accumulation, Aesthetics of Curiosity, and Temporal Exchange -- Curiosity and the Aesthetics of Discourse -- Temporalization and the Comparison of Cultures -- 2. Curious Narrative and the Problem of Credit: James Bruce's Travels to Discover the Source of the Nile -- Curiosity and the Dynamics of Scale -- Publication -- Scientific Credit -- At the Nile Source -- The Medici Venus and 'Curious' Masculinity -- The Raw and the Cooked -- Coda -- 3. 'Young Memnon' and Romantic Egyptomania -- Part 1: Shelley's 'Ozymandias' and Napoleon's Savants -- Shelley and the Savants: Volney, Denon, and the Description de l'Egypte -- Part 2: Belzoni, Burckhardt, and the 'Rape of the Nile' -- 4. Indian Travel Writing and the Imperial Picturesque -- Modalities of Indian Travel Writing -- The Picturesque Modality -- The Peer and the 'Bishop Sahib': The Indian Travel Narratives of Lord Valentia and Reginald Heber -- Reginald Heber's Narrative of a Journey Through the Upper Provinces of India -- The Radical Anti-Picturesque: James Mill and Victor Jacquemont -- 5. Domesticating Distance: Three Women Travel Writers in British India -- Maria Graham: The Oriental Traveller as Female Moralist -- Emma Roberts, Oriental Tourism, and the 'Moonlight Picturesque' -- 'A Pencil instead of a Gun': Fanny Parks and Curiosity -- Colonial Politics and Feminism -- Curiosity, Collecting, Narrating -- 6. Alexander von Humboldt and the Romantic Imagination of America: The Impossibility of Personal Narrative -- The Physical Portrait of the Tropics and Aspects of Nature -- Humboldt and the Dispute of the New World -- The Political Essay on New Spain -- Conclusion: William Bullock's Mexico and the Reassertion of 'Popular Curiosity' -- Bibliography.

Index.

The first book of its kind to study the Romantic obsession with the 'antique lands' of Ethiopia, Egypt, India, and Mexico, Curiosity and the Aesthetics of Travel Writing is an important contribution to the recent wave of interest in exotic travel writing. Drawing generously on both original texts and modern scholarship in literature, history, geography, and anthropology, it focuses on the unstable discourse of 'curiosity' to offer an important reformulation of the relations between literature, aesthetics, and colonialism in the period.

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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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