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Music and the Crises of the Modern Subject.

By: Material type: TextTextSeries: Musical Meaning and Interpretation SeriesPublisher: Bloomington : Indiana University Press, 2015Copyright date: ©2015Edition: 1st edDescription: 1 online resource (206 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780253017222
Subject(s): Genre/Form: Additional physical formats: Print version:: Music and the Crises of the Modern SubjectDDC classification:
  • 781.1/7
LOC classification:
  • ML3845 .K598 2015
Online resources:
Contents:
Cover -- Contents -- Acknowledgments -- Introduction -- 1. Music and the Symptom -- 2. The Acoustic Mirror as Formative of Auditory Pleasure and Fantasy: Chopin's Berceuse, Brahms's Romanze, and Saariaho's "Parfum de l'instant" -- 3. Debussy and the Three Machines of the Proustian Narrative -- 4. Chopin Dreams: The Mazurka in C♯ Minor as Sinthome -- Intermezzo: On Agency -- 5. Postmodern Quotation, the Signifying Chain, and the Erasure of History -- 6. Lutosławski, Molar and Molecular -- Works Cited -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z.
Summary: By creatively navigating from critical theory to music, film, fiction, and back to music, Klein distills the kinds of meaning that we have been missing when we perform, listen to, think about, and write about music without the insights of Lacan and others into formulations of modern subjectivity.
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Cover -- Contents -- Acknowledgments -- Introduction -- 1. Music and the Symptom -- 2. The Acoustic Mirror as Formative of Auditory Pleasure and Fantasy: Chopin's Berceuse, Brahms's Romanze, and Saariaho's "Parfum de l'instant" -- 3. Debussy and the Three Machines of the Proustian Narrative -- 4. Chopin Dreams: The Mazurka in C♯ Minor as Sinthome -- Intermezzo: On Agency -- 5. Postmodern Quotation, the Signifying Chain, and the Erasure of History -- 6. Lutosławski, Molar and Molecular -- Works Cited -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z.

By creatively navigating from critical theory to music, film, fiction, and back to music, Klein distills the kinds of meaning that we have been missing when we perform, listen to, think about, and write about music without the insights of Lacan and others into formulations of modern subjectivity.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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