Visualizing Music.

Cover -- Title Page -- Copyright -- Contents -- Preface -- Acknowledgments -- Accessing Audiovisual Materials -- Introduction -- Part 1. Preliminaries -- Chapter 1. Leveraging the Power of the Brain -- Chapter 2. The Role of Metaphor -- Chapter 3. Multivariate Images -- Chapter 4. Telling a Story -- Chapter 5. Facilitating Comparison -- Chapter 6. Information Layers -- Chapter 7. Information Integration -- Chapter 8. Making Every Part of an Image Count -- Chapter 9. Presenting Tabular Data -- Chapter 10. Small Multiples -- Chapter 11. Using Color -- Chapter 12. Additional General Principles -- Chapter 13. Case Study: Western Notation -- Part 2. Musical Spaces -- Chapter 14. Pitch Spaces -- Chapter 15. Collections, Scales, and Modes -- Chapter 16. The Circle of Fifths -- Chapter 17. The Tonnetz -- Chapter 18. Atonal Spaces -- Chapter 19. Symmetrical Pitch Structures -- Chapter 20. Tonal Hierarchy, Tendency, Progression -- Chapter 21. The Overtone Series -- Part 3. Musical Time -- Chapter 22. Basic Durations -- Chapter 23. Unmeasured Musical Time -- Chapter 24. Musically Measured Musical Time -- Chapter 25. Externally Measured Musical Time (Performance Timing) -- Chapter 26. Proportion -- Part 4. Pitch, Texture, Timbre, Form -- Chapter 27. Textual Representations of Pitch -- Chapter 28. Piano Roll Notation -- Chapter 29. Alternate Notational Systems -- Chapter 30. Tuning and Temperament -- Chapter 31. Microtuning -- Chapter 32. Timbre -- Chapter 33. Texture -- Chapter 34. Voice Leading -- Chapter 35. Schematic and Procedural Representations -- Chapter 36. Formal Models -- Chapter 37. Pitch-Class Set Tables -- Chapter 38. Instrument Ranges -- Chapter 39. Translations -- Part 5. Music Analysis -- Chapter 40. Lutosławski's Jeux Venitiens -- Chapter 41. Annotating Musical Scores -- Chapter 42. Thematic Analysis -- Chapter 43. Contour Analysis.

Chapter 44. Tonal Plans -- Chapter 45. Symmetry in Music Analysis -- Chapter 46. Rhythmic Analysis -- Chapter 47. Formal Analysis -- Chapter 48. Hierarchy in Music -- Chapter 49. Serialism -- Chapter 50. Corpus Studies -- Chapter 51. Musical Chronologies, Influences, and Styles -- Chapter 52. Animation -- Part 6. Visualization in the Professional Realm -- Chapter 53. Conference Handouts -- Chapter 54. Presentation Slideshows -- Chapter 55. Conference Posters -- Chapter 56. Print Publication -- Chapter 57. The Essential Visualization Toolbox -- Epilogue -- Bibliography -- Index -- About the Author.

-- Eric Isaacson is expertly trained to see "the subtleties in how various kinds of visual images, representations, diagrams, and displays communicate, or fail to readily convey, crucial information" according to praise from Robert Hatten. He has published, presented, and taught on visualizing music for over 28 years. -- This book serves music scholars by offering a guide to effectively communicate visually. It has the potential to spark further research leading to the development of new approaches in visualization and expansions to existing methodologies. -- Visualizations are powerful agents of musical meaning, so publication as part of IUP's Musical Meaning and Interpretation series is fitting. -- The target audience includes scholars and advanced students in music theory, musicology, and visualization in the arts.

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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.