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Postwar Italian Art History Today : Untying 'the Knot'.

By: Contributor(s): Material type: TextTextSeries: Criminal Practice SeriesPublisher: New York : Bloomsbury Publishing USA, 2018Copyright date: ©2018Edition: 1st edDescription: 1 online resource (322 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781501330063
Subject(s): Genre/Form: Additional physical formats: Print version:: Postwar Italian Art History TodayDDC classification:
  • 709.45/0904
LOC classification:
  • N6918 .P678 2018
Online resources:
Contents:
Cover -- Half-title -- Title -- Copyright -- Contents -- List of Figures -- List of Contributors -- Acknowledgements -- Introduction -- Section I: Reconsidering the Weight of Italy -- 1. "Yes, but are you Italian?" Considering the Legacy of Italianità in Postwar and Contemporary Italian Art -- 2. Learning from Artists: Methodological Notes on Postwar Italian Art History -- 3. Gianni Pettena and Ugo La Pietra: Crossing the Boundaries Between Theory and Practice -- 4. Our Lady of Warka: Gino De Dominicis and the Search for Immortality -- Section II: Re-imagining Realism -- 5. Transatlantic Exchanges. Piero Dorazio: Non-objective Art vs. Abstract Expressionism? -- 6. Gleaning Italian Pop, 1960-6: The 1964 Venice Biennale, Renato Mambor's "Thread," and Pop as a Global Phenomenon -- 7. Photography, Visual Poetry, and Radical Architecture in the Early Works of Franco Vaccari -- Section III: Rethinking Modes of Patronage -- 8. Buying Marino Marini: The American Market for Italian Art after World War II -- 9. A House No Longer Divided: Patronage, Pluralism, and Creative Freedom in Italian Pre- and Postwar Art -- 10. Co-research and Art: Danilo Montaldi's Horizontal Production of Knowledge -- 11. Shaping and Reshaping: Private and Institutional Patronage -- Section IV: Reassessing Arte Povera -- 12. Isolated Fragments? Disentangling the Relationship Between Arte Povera and Medardo Rosso -- 13. Gilberto Zorio's Radical Fluidity -- 14. Summer Solstice AD MCMLXIII: Luciano Fabro's Early Works -- 15. Transatlantic Arte Povera -- Index.
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Cover -- Half-title -- Title -- Copyright -- Contents -- List of Figures -- List of Contributors -- Acknowledgements -- Introduction -- Section I: Reconsidering the Weight of Italy -- 1. "Yes, but are you Italian?" Considering the Legacy of Italianità in Postwar and Contemporary Italian Art -- 2. Learning from Artists: Methodological Notes on Postwar Italian Art History -- 3. Gianni Pettena and Ugo La Pietra: Crossing the Boundaries Between Theory and Practice -- 4. Our Lady of Warka: Gino De Dominicis and the Search for Immortality -- Section II: Re-imagining Realism -- 5. Transatlantic Exchanges. Piero Dorazio: Non-objective Art vs. Abstract Expressionism? -- 6. Gleaning Italian Pop, 1960-6: The 1964 Venice Biennale, Renato Mambor's "Thread," and Pop as a Global Phenomenon -- 7. Photography, Visual Poetry, and Radical Architecture in the Early Works of Franco Vaccari -- Section III: Rethinking Modes of Patronage -- 8. Buying Marino Marini: The American Market for Italian Art after World War II -- 9. A House No Longer Divided: Patronage, Pluralism, and Creative Freedom in Italian Pre- and Postwar Art -- 10. Co-research and Art: Danilo Montaldi's Horizontal Production of Knowledge -- 11. Shaping and Reshaping: Private and Institutional Patronage -- Section IV: Reassessing Arte Povera -- 12. Isolated Fragments? Disentangling the Relationship Between Arte Povera and Medardo Rosso -- 13. Gilberto Zorio's Radical Fluidity -- 14. Summer Solstice AD MCMLXIII: Luciano Fabro's Early Works -- 15. Transatlantic Arte Povera -- Index.

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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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