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The Philosophy of Music.

By: Material type: TextTextPublisher: Edinburgh : Edinburgh University Press, 2004Copyright date: ©2004Edition: 1st edDescription: 1 online resource (187 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781474472036
Subject(s): Genre/Form: Additional physical formats: Print version:: The Philosophy of MusicDDC classification:
  • 780.1
LOC classification:
  • ML3845 .R535 2008
Online resources:
Contents:
Intro -- Contents -- Preface -- Introduction Music from Mars -- Chapter 1 Understanding -- Part 1. Background -- Part 2. Central Park in the Dark -- I. Music and Words -- II. Paraphrase -- III. Paraphrase and Art -- IV. Paraphrase and Music -- V. Understanding Ives -- Chatper 2 Representation -- Part 1. Background -- Part 2. La Cathédrale Engloutie -- I. Detachable Sounds -- II. Crytographical Conventions -- III. Musical Thoughts -- IV. Resemblances -- V. Putting the Title Last -- Chapter 3 Expression -- Part 1. Background -- Part 2. Cynara -- I. The Prejudice Against Song -- II. Text andn Music -- III. Appropriateness -- IV. Song as Expressive Music -- Chapter 4 Performance -- Part 1. Background -- Part 2. Chaconne -- I. Against Ontology -- II. Some Objections -- III. 'Authenticity' -- Chapter 5 Profundity -- Part 1. Background -- Part 2. Tapiola -- I. The Concept of Profundity -- II. Expressive Profundity -- III. Attitudes and Outlooks -- IV. Two Clarifications -- V. Sibelius's Profundity -- Conclusion The Other Theme -- Index.
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Intro -- Contents -- Preface -- Introduction Music from Mars -- Chapter 1 Understanding -- Part 1. Background -- Part 2. Central Park in the Dark -- I. Music and Words -- II. Paraphrase -- III. Paraphrase and Art -- IV. Paraphrase and Music -- V. Understanding Ives -- Chatper 2 Representation -- Part 1. Background -- Part 2. La Cathédrale Engloutie -- I. Detachable Sounds -- II. Crytographical Conventions -- III. Musical Thoughts -- IV. Resemblances -- V. Putting the Title Last -- Chapter 3 Expression -- Part 1. Background -- Part 2. Cynara -- I. The Prejudice Against Song -- II. Text andn Music -- III. Appropriateness -- IV. Song as Expressive Music -- Chapter 4 Performance -- Part 1. Background -- Part 2. Chaconne -- I. Against Ontology -- II. Some Objections -- III. 'Authenticity' -- Chapter 5 Profundity -- Part 1. Background -- Part 2. Tapiola -- I. The Concept of Profundity -- II. Expressive Profundity -- III. Attitudes and Outlooks -- IV. Two Clarifications -- V. Sibelius's Profundity -- Conclusion The Other Theme -- Index.

No detailed description available for "The Philosophy of Music".

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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