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Staging Anatomies : Dissection and Spectacle in Early Stuart Tragedy.

By: Material type: TextTextSeries: Literary and Scientific Cultures of Early Modernity SeriesPublisher: Oxford : Taylor & Francis Group, 2005Copyright date: ©2005Edition: 1st edDescription: 1 online resource (242 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781351898300
Subject(s): Genre/Form: Additional physical formats: Print version:: Staging AnatomiesDDC classification:
  • 822/.4093561
LOC classification:
  • PR678.B63 .N866 2016
Online resources:
Contents:
Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- List of Figures -- Acknowledgements -- Introduction: Reading Beyond the Lines: Reanimating Early Modern Anatomy -- Chapter 1 The Life of the City: Bodies and Boundaries in Early Stuart London -- Chapter 2 The Dead in Action: The Uses of Lifeless Flesh on the Early Stuart Stage -- Chapter 3 Lethal Passivity: Perspective, Painting, and the Staging of Female Bodies -- Chapter 4 Believing Your Eyes: Witnessing, Blindings, and Staged Violence -- Epilogue: The Dramatic Spectacle of Human Anatomy -- Bibliography -- Index.
Summary: Hillary M. Nunn here traces the connections between the London public's interest in medical dissection and the changing cultural significance of bloodshed on the early Stuart playhouse stage. Considering the playhouses' role within the social world of early modern London, Nunn explores the influence of public dissection upon the presentation of human bodies in well-known plays such as King Lear, as well as in a wide range of often neglected early Stuart tragedies like The Second Maiden's Tragedy and Revenge for Honour. In addition to dramatic texts, the study draws heavily on anatomy treatises and popular pamphlets of the time. Incorporating views of anatomy's significance from a wide range of sources, this study shows the ways in which early Stuart dramatists called upon Londoners' increasing fascination with anatomical dissection to shape the staging of their tragedies.
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Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- List of Figures -- Acknowledgements -- Introduction: Reading Beyond the Lines: Reanimating Early Modern Anatomy -- Chapter 1 The Life of the City: Bodies and Boundaries in Early Stuart London -- Chapter 2 The Dead in Action: The Uses of Lifeless Flesh on the Early Stuart Stage -- Chapter 3 Lethal Passivity: Perspective, Painting, and the Staging of Female Bodies -- Chapter 4 Believing Your Eyes: Witnessing, Blindings, and Staged Violence -- Epilogue: The Dramatic Spectacle of Human Anatomy -- Bibliography -- Index.

Hillary M. Nunn here traces the connections between the London public's interest in medical dissection and the changing cultural significance of bloodshed on the early Stuart playhouse stage. Considering the playhouses' role within the social world of early modern London, Nunn explores the influence of public dissection upon the presentation of human bodies in well-known plays such as King Lear, as well as in a wide range of often neglected early Stuart tragedies like The Second Maiden's Tragedy and Revenge for Honour. In addition to dramatic texts, the study draws heavily on anatomy treatises and popular pamphlets of the time. Incorporating views of anatomy's significance from a wide range of sources, this study shows the ways in which early Stuart dramatists called upon Londoners' increasing fascination with anatomical dissection to shape the staging of their tragedies.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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